Editing Workflow:Life Cycle of 3D Data for Cultural Heritage
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Latest revision | Your text | ||
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'''The steps are: ''' | '''The steps are: ''' | ||
− | * A0: | + | * A0: acquired data |
* V0: processed data | * V0: processed data | ||
* V1n: hypotheses and restitutions loops and options | * V1n: hypotheses and restitutions loops and options | ||
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===A0 - Raw data - Archived=== | ===A0 - Raw data - Archived=== | ||
− | + | A0 = raw acquired data | |
For example: | For example: | ||
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|- | |- | ||
|} | |} | ||
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===V0 - Processed data - Archived=== | ===V0 - Processed data - Archived=== | ||
− | + | V0 = A0 + basic human action + software processThis is the first 3D validated by a human. | |
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It may have been: | It may have been: | ||
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* meshed | * meshed | ||
* holes filled | * holes filled | ||
− | * textured | + | * textured |
For example: | For example: | ||
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|- | |- | ||
|} | |} | ||
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===V1n - Restitutions - NOT archived=== | ===V1n - Restitutions - NOT archived=== | ||
− | + | V1n = v0 + human knowledge | |
− | V1n means: v1a, v1b, v1c, ... | + | V1n means: v1a, v1b, v1c, ... |
− | These are the restitution steps or options.It includes humanity knowledge contribution ( | + | These are the restitution steps or options.It includes humanity knowledge contribution (archeological, historical, medical, etc.). |
− | They are working data, options and trials. These loops express the recursive aspect of the work with hypothesis and restitution stages. | + | They are working data , options and trials. These loops express the recursive aspect of the work with hypothesis and restitution stages. |
It may have been: | It may have been: | ||
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* completed (missing parts) | * completed (missing parts) | ||
* animated | * animated | ||
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===V2 - Approved restitutions - Archived=== | ===V2 - Approved restitutions - Archived=== | ||
− | + | V2 = scientifically approved V1n | |
− | I concerns the approved options developed in V1n. | + | I concerns the approved options developed in V1n. |
− | I may be approved by any scientific committee. | + | I may be approved by any scientific committee. |
− | In the best case it is related to | + | In the best case it is related to an article. |
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==Purpose== | ==Purpose== | ||
<!-- Describe what your workflow is for - i.e. what it is designed to achieve, what the organisational context of the workflow is, and what content it is designed to work with --> | <!-- Describe what your workflow is for - i.e. what it is designed to achieve, what the organisational context of the workflow is, and what content it is designed to work with --> | ||
It presents the steps of the production process in a simplified way. The system of the graph has been defined to follow a logical path with notably the use of loops to express the recursive aspect of the work on data, especially during the hypothesis and restitution stages. | It presents the steps of the production process in a simplified way. The system of the graph has been defined to follow a logical path with notably the use of loops to express the recursive aspect of the work on data, especially during the hypothesis and restitution stages. | ||
− | + | In a 3D restitution process: which data may be archived? | |
− | In a 3D restitution process: | + | This workflow defines different steps in the creation of 3D data in humanities and social sciences. |
− | This workflow defines different steps in the creation of 3D data in humanities and social sciences. | + | It identifies how and when 3D data is produced. |
− | It identifies how and when 3D data is produced. | ||
It chooses 3D data for archiving. | It chooses 3D data for archiving. | ||
== Context== | == Context== | ||
− | 3D is now commonly used for Cultural Heritage study, valorization and preservation. The gathered experiences make possible to define standard processes and practices to ensure data quality and their preservation. Under the supervision of the French national infrastructure for digital humanities ([https://www.huma-num.fr/about-us/ Huma-Num]), the Consortium "3D for Humanities" has thus defined a life cycle of such data from creation up to archiving. | + | 3D is now commonly used for Cultural Heritage study, valorization and preservation. The gathered experiences make possible to define standard processes and practices to ensure data quality and their preservation. Under the supervision of the French national infrastructure for digital humanities ([https://www.huma-num.fr/about-us/ Huma-Num]), the Consortium "3D for Humanities" has thus defined a life cycle of such data from creation up to archiving. It was part of its missions that are: bring together groups working in the field of archaeology and cultural heritage and with experience of using 3D technologies and producing 3D models; define the vocabulary associated with 3D technologies for HSS; develop specific open-source 3D tools; disseminate good practices and commissioning a conservatory dedicated to 3D data. |
− | + | This 3D life cycle was initially designed for archeology, and is now open to any humanity field. | |
− | It was part of its missions that are: | ||
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− | This 3D life cycle was initially designed for | ||
== Content== | == Content== | ||
− | This workflow is designed to | + | This workflow is designed to work with 3D data from raw acquired data to restitution. |
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==Evaluation/Review== | ==Evaluation/Review== | ||
<!-- How effective was the workflow? Was it replaced with a better workflow? Did it work well with some content but not others? What is the current status of the workflow? Does it relate to another workflow already described on the wiki? Link, explain and elaborate --> | <!-- How effective was the workflow? Was it replaced with a better workflow? Did it work well with some content but not others? What is the current status of the workflow? Does it relate to another workflow already described on the wiki? Link, explain and elaborate --> | ||
− | + | Applied workflow in all team of the french consortium for 3D. This workflow is being updated to work with fields of humanities others than cultural heritage. | |
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==Further Information== | ==Further Information== | ||
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<!-- Note that your workflow will be marked with a CC3.0 licence --> | <!-- Note that your workflow will be marked with a CC3.0 licence --> | ||
+ | Xavier Granier, Laurent Bergerot, Mehdi Chayani, Bruno Dutailly, Pascal Mora, et al. 3D lexicon for Human and Social Sciences. Recommendations of the "Consortium 3D for Humanities", 2021. [https://hal.archives-ouvertes.fr/hal-03187979 ⟨hal-03187979⟩] | ||
Xavier Granier, Laurent Bergerot, Mehdi Chayani, Bruno Dutailly, Pascal Mora, et al. 3D lexicon for Human and Social Sciences. Recommendations of the "Consortium 3D for Humanities", 2021. p 6 [https://hal.archives-ouvertes.fr/hal-03187979 ⟨hal-03187979⟩] | Xavier Granier, Laurent Bergerot, Mehdi Chayani, Bruno Dutailly, Pascal Mora, et al. 3D lexicon for Human and Social Sciences. Recommendations of the "Consortium 3D for Humanities", 2021. p 6 [https://hal.archives-ouvertes.fr/hal-03187979 ⟨hal-03187979⟩] | ||
Bruno Dutailly, Sylvie Eusèbe, Valentin Grimaud, Nicolas Lefèvre, Mathieu Quantin, et al.. Life cycle of 3d data for cultural heritage: Identify how and when 3D data is produced. Choose 3D file formats for archiving. Define a robust process for producing 3D data and preserving it. Visual Heritage 2018, Nov 2018, Vienne, Austria. ⟨hal-01926434⟩ | Bruno Dutailly, Sylvie Eusèbe, Valentin Grimaud, Nicolas Lefèvre, Mathieu Quantin, et al.. Life cycle of 3d data for cultural heritage: Identify how and when 3D data is produced. Choose 3D file formats for archiving. Define a robust process for producing 3D data and preserving it. Visual Heritage 2018, Nov 2018, Vienne, Austria. ⟨hal-01926434⟩ |