Difference between revisions of "Workflow:Long Term Archiving at the CINES"
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| − | The long-term preservation of 3D digital objects raises some critical issues. Indeed, firstly, different kind of data can be archived: the original files depending on the method used to digitize; the final version, depending on the goal ( | + | The long-term preservation of 3D digital objects raises some critical issues. Indeed, firstly, different kind of data can be archived: the original files depending on the method used to digitize; the final version, depending on the goal (simple acquisition or modelisation) and any relevant information (text, images, pdf , scenarios ...) added for a better comprehension of the 3D object. |
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| + | Secondly it is important that metadata accompany the archive to ensure that the 3D object will be human-readable in the long-term. These metadata have to be completed in distinct files. | ||
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| + | The 3D consortium of Huma-Num developed a tool, aLTAG3D to easily produce metadata file for the full 3D archive. Lastly, a place to preserve 3D data in the long term has to be found. Many solutions exist, depending on the countries. In France, there are solutions such as the 3D conservatory for 3D data research for mid-term preservation, and the CINES in the continuity for long-term preservation. | ||
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Revision as of 09:42, 21 February 2022
Workflow Description
The long-term preservation of 3D digital objects raises some critical issues. Indeed, firstly, different kind of data can be archived: the original files depending on the method used to digitize; the final version, depending on the goal (simple acquisition or modelisation) and any relevant information (text, images, pdf , scenarios ...) added for a better comprehension of the 3D object.
Secondly it is important that metadata accompany the archive to ensure that the 3D object will be human-readable in the long-term. These metadata have to be completed in distinct files.
The 3D consortium of Huma-Num developed a tool, aLTAG3D to easily produce metadata file for the full 3D archive. Lastly, a place to preserve 3D data in the long term has to be found. Many solutions exist, depending on the countries. In France, there are solutions such as the 3D conservatory for 3D data research for mid-term preservation, and the CINES in the continuity for long-term preservation.
Purpose
This workflow is a use case scenario designed to illustrate best pratices in the long term preservation of 3D digital objects with a final deposit at the CINES (National Computing Center for Higher Education), a public institution supervised by the French ministry for Higher Education and Research which offers services to the scientific community in the long term digital preservation.
Context
This use case scenario was produces by the team of the consortium “3D for Humanities” for the Standardization Survival Kit (SSK), a toolkit for Humanities developed within the PARTHENOS project in order to stabilize knowledge on standards and good research practices, giving access to them in a meaningful way, by the mediation of research scenarios.
Evaluation/Review
Further Information
- A. Alaoui M'Darhri, V. Baillet, B. Bourineau, A. Calantropio, G. Carpentiero, et al.. Share - Publish - Store - Preserve. Methodologies, Tools and Challenges for 3D Use in Social Sciences and Humanities. PARTHENOS. Share — Publish — Store — Preserve. Methodologies, Tools and Challenges for 3D Use in Social Sciences and Humanities, Feb 2019, Marseille, France. 2019. ⟨hal-02155055⟩
- Preserving 3D digital objects (2019) [online] https://ssk.parthenos-project.eu/ssk/#/scenarios/SSK_sc_Preservation3DObjects/ [consult: 10-02- 2022]